Gerald Allen
September 24, 2015
Convergence
Prof. Cacoilo
In Guy
Debord’s Society of the Spectacle the
topics of consumerism and how society is driven by achieving a certain look are
examined. The society of the spectacle according to Debord is “presents itself
simultaneously as all of society, as part of society, and as instrument of
unification. As a part of society it is specifically the sector which
concentrates all gazing and all consciousness” (Debord 3). The spectacle is all
about a look that society unknowingly aspires to, it is the feeling of seeing something
that is desirable and also the feeling having or obtaining that desirable
thing.
Debord
states that “the concept of spectacle unifies and explains a great diversity of
apparent phenomena. The diversity and the contrasts are appearances of a
socially organized appearance, the general truth of which must itself be
recognized” (Debord 10). An excellent example to illustrate this point is the
group of younger teenagers who’ve never seen Michael Jordan play basketball but
still feel the need to purchase his shoes because everyone else has them. And on
the other hand, there are some shoe buyers that purchase a pair of Air Jordan’s
for the sentimental value and justify spending two-hundred dollars on a single
pair of shoes because they claim to remember a game Michael Jordan played in the
sneakers. In this example, two different very different groups are purchasing
the same shoe but for different reasons. As consumers our reasoning for purchasing
an item may be different, however, Nike doesn’t care why people are buying their
shoes as long as they’re buying them.
The
commodity as a spectacle is described by Debord as “the principle of commodity
fetishism, the domination of society by "intangible as well as tangible
things," which reaches its absolute fulfillment in the spectacle, where
the tangible world is replaced by a selection of images...” (Debord 36). It’s human nature to want the next best
thing, however, some consumers take this feeling to extreme limits. Debord
makes an interesting point when specifically pointed out how we are capable of
being dominated by intangible things. With the rise of the internet and social
media sites, people are always online interacting with their followers. Social media
websites were first created as a way to communicate with friends, a platform
for free expression, and/or a way to meet new people who share similar interests.
These days people can attract such a large following that they can actually
make money and become internet famous. This chance at stardom is what drives a
lot of people to be prominent social media figures.
And
with smartphones and other portable electronics, we can literally be connected
to the internet wherever we go. People can’t escape social media’s presence. Often
times social media websites can actually dictate what is considered cool and
uncool and as a society we don’t ever stop to question why do we care what
people who we’ll probably never come into contact with think of us. Guy Debord’s
Society of the Spectacle dealt with
topics that have been plaguing humans since the beginning of time and with the
ability to always be connected with people will only intensify the feeling of
the spectacle.
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